I feel like I have good people I love and know scattered across this crazy world. I’m scattered. So it works. Today is my birthday. It’s always an in-between day, but I’ve learned to stop worrying and love the bomb — I mean — the day!
Hi, I’m Greig — welcome! Here you’ll find sharp writing, creative ideas, and standout resources for teaching, thinking, making, and dreaming in the middle and high school ELA and Humanities classroom (Grades 6–12).
I feel like I have good people I love and know scattered across this crazy world. I’m scattered. So it works. Today is my birthday. It’s always an in-between day, but I’ve learned to stop worrying and love the bomb — I mean — the day!
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I think people carry with them certain memories—especially from early childhood into adolescence—that surface later in adult life, unbidden and strangely intact. Not the big moments. Not the milestones. But the people who were simply there.
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| I definitely had a coloring book like this when I was a kid in the 80s! |
Every morning and afternoon, I got on the bus driven by a man named Mr. Barry.
That is the memory.
Mr. Barry was a quiet man, probably in his forties—or at least that’s how I remember him. He was dark brown, with a face worn gently by time, gray-black hair thinning at the crown. He didn’t say much. I don’t remember conversations. I don’t remember jokes or discipline or instruction. What I remember is his presence.
On cold days, I can see him sitting in the driver’s seat before we boarded, eating out of a lunch container—not a tin exactly, but a proper lunch box. Inside was red beans and rice. In Louisiana, that meal is more than food; it’s ritual, warmth, care. I somehow knew his wife—or someone who loved him—had made it. He ate it slowly, with relish, like it mattered.
I don’t even know when he ate it. Maybe between routes. Maybe in the afternoon before the ride home. Memory doesn’t care much for logistics. It keeps what it wants.
Mr. Barry wore jeans, usually a collared shirt with a T-shirt underneath—sometimes red-and-black checked. Once the bus got moving, he’d turn on the radio. Rock and roll, whatever was on FM at the time. Occasionally, in the mornings, the news. There were only so many stations then. The world arrived filtered and faint.
Here’s the strange part: I don’t remember how he drove. I don’t remember a single thing about his skill behind the wheel. I don’t remember rules or reprimands or even the sound of his voice. But I remember him. His face. His name. The constancy of seeing him every day.
He probably didn’t know my name.
And yet, decades later, I carry him.
In high school, I had another bus driver: Mr. Greg. He was different—more talkative, lanky, tall, with a mustache and an easy smile. He played country music. He was also a police officer in Madisonville, Louisiana, where I lived at the time. I knew more about him. I saw him occasionally outside the bus, sometimes in his patrol car. He had a brother who also drove a bus, though I can’t remember his name.
Mr. Greg had rules—bus drivers always do. Sit down. Don’t move. Don’t test the limits of a vehicle that is both transportation and controlled chaos. Bus driving is hard. You’re responsible for dozens of children while piloting something the size of a small building. You’re caretaker and authority and witness, all at once.
I don’t know where either of these men are now. Mr. Barry could be in his sixties, his nineties, or gone altogether. Mr. Greg is probably in his fifties or sixties. Time gets slippery when you start measuring it against your own life. I’m now roughly the age I once imagined Mr. Barry to be. Or maybe older. Or maybe not.
And that’s the point.
We spend so much time worrying about what will matter—what we’ll be remembered for, what impact we’re making, whether our actions register. But memory doesn’t work that way. People remember presence. Consistency. Care. The way someone showed up, quietly, day after day.
Mr. Barry and Mr. Greg probably have no idea they live in my mind. They weren’t teachers. They weren’t family. They weren’t friends. They were simply the men who took me from home to school and back again, safely, repeatedly, without drama.
And yet they carry a kind of solace for me now—a reminder of a time when I had less agency, less freedom, and other people quite literally carried me where I needed to go.
I know for certain I could never be a bus driver. That job requires patience, endurance, and a tolerance for chaos I do not possess.
So this is a quiet thank-you—to Mr. Barry, to Mr. Greg, and to all the people whose labor is invisible but essential. To the ones who never make speeches but leave an imprint anyway.
You never really know who will remember you.
And maybe that’s the grace of it.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I became a teacher at twenty-eight, after a decade in the arms of Mother Church — first a seminarian, then a religious brother. I left that life for a parallel calling. And I’m still here, now in my forties, a little more tired, a little more rushed. The backstage parts of the job take up a lot of oxygen — grading, uploading this file and that one, posting grades, reading emails, responding to some of them. It’s office work except teaching isn’t an office job — it’s a command performance. The show thrills me; it also wrings me out.
This morning I cried in the shower. It was cold. My commute from Queens to my school in Washington Heights is about an hour and a half. I don’t love that part. I check my email and skim the news on my phone, but mostly it feels like time I can’t get back.
I started this year with gusto. Classic me — the Energizer Bunny. I’m either all-systems-go or in a deep morass of my own patheticness. People tend to like me when I’m bouncy and ready to wrangle sixth- and seventh-graders — the tribe I travel with these days. Teaching happens in the moment, but it demands a plan — lesson arcs, pacing calendars, data cycles. And yet my favorite moments are the improvised ones: a student’s random share, a series of unfortunate (and comic) events, that flash when a question sparks real curiosity. That’s the stuff that keeps me in it — kids doing, being, thinking, and seeing.
It’s my first time teaching in a public school after years in private — tuition-free places and tuition-paid ones. I got my certification after I’d already been in classrooms for a while. The shift to the public sphere is a whole story on its own. What I can say is: my students talk. They interrupt. They test boundaries. We’re nearing Christmas, and the behaviors have a pulse. That tracks. I should feel blessed — three more weeks and then hibernation. But I feel anxious.
Part of it is last year, which was a disaster. Let’s leave it there. Part of it is now: I’m learning two curricula, juggling four classes, and directing drama club (we meet once a week, which should be manageable, right?). I have a parent advocating hard for her seventh-grade son to get into a private school for eighth — which I respect — while I try to keep everyone learning today. I’m teaching everything new, following a set curriculum that still requires a million tweaks to fit the real humans in front of me. It drives me a little mad.
So I write. My therapist says writing is therapy; this is that. I’m not a naturally organized person. I survive on intuition. Sometimes I collapse under the pressure. I took a sick day today — I needed to breathe — and now I’m second-guessing the choice. My armor plate has shifted. I don’t feel as confident as I “should.” I’m not kind to myself; I can be brutal. When I stumble, the echo chamber inside me amplifies the mistake.
I’m not a perfectionist — far from it. I’m the teacher typing the slide deck minutes before students walk in. But like Mr. Chips, I believe in the humanity of this work. I’m teaching actual human beings — kids with desires and wishes, different from mine, but real. In the story, Mr. Chips falls in love. I always thought Goodbye, Mr. Chips felt a little queer-coded. There are plenty of us — gay men who found a home in the profession. When people ask (and they ask a lot), I sometimes joke that I’m saving myself for Mr. Right. I’ll even make up a beau — Marc Antony — no relation to the historical figure. He’s also been A.G. Millington or Uncle Faroger. It’s a little neurodivergent of me, maybe, to chat with my alter egos. It’s only a problem if they talk back, right?
My salve is Friday after school. New York City does something to me on Fridays — a little joie de vivre. I’ll walk along 37th Avenue in Queens, duck into a bodega, or browse a 99-cent store. I’ll treat myself to a café au lait (no sugar!) and remember that joy still sneaks in, even when I’m running on fumes.
Here’s what I know from my own mistakes: teaching isn’t osmosis. Papers don’t grade themselves. Lessons don’t float from the ether. But learning can be wondrous. I’ve built Stones of Erasmus from that conviction — it started “just for fun,” and in the pandemic it became a haven for the kinds of lessons I crave: resources that bring arts and letters to life, that challenge me and my students to go deeper. On my best days, I design the kind of work that makes adolescents sit up — not because it’s flashy, but because it’s alive with big ideas.
I’m still not Mr. Chips — I don’t want to be. He’s a sweet fantasy, a tidy narrative where the biscuits are always warm and the Latin epigrams always land. My classroom is messier, louder, more human. And when it’s all too much — when the commute freezes me, when the schedule crowds in, when the curriculum needs more tweaking than time allows — I remember why I came: to spark wonder, to foster thinking, to help kids map the disorder and sometimes find the hidden order inside it.
So, goodbye to the fantasy — and hello to the practice. I’ll keep showing up, tweaking, failing, trying again, and laughing at my own slide-deck-at-the-bell chaos. And on the days I manage to create a little stillness amid the storm — a circle of tea, a shared poem, a question that lingers — I nod to that dapper gentleman in my imagination and whisper, with gratitude and a grin: Goodbye, Mr. Chips.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I’ve taken on a self-imposed sabbatical. That’s the nicest way I can frame it because no one really wants to hear the words “unemployed” or “jobless.” But that’s where I’m at—and it’s a decision I made. I’m a teacher by trade, though I’ve worn many hats (and I’m not even talking about reincarnation).
I plan to be back in a classroom by September. (And if you’re reading this before then, dear reader, don’t jinx it.)
I like to call this a sandcastle moment: one of those times when the tide comes in and sweeps away the intricate structure you’ve built, and all you can do is start again. As a kid, I loved standing in the wet sand, letting the waves rush over my feet, tugging at the earth beneath me. That was the Gulf of Mexico of my childhood—a brown, brackish sea that never made it onto postcards.
Now, as an adult, I avoid beaches. Sand gets everywhere. But childhood made them magical.
In adulthood, I’ve lost that innocent lens. Bills pile up. Garbage needs to be taken out. Taxes lurk. Cover letters wait to be written. I distract myself by listening to that haunting song from Donnie Darko—you know, the one with the time-traveling rabbit (cue Mad World by Gary Jules).
Still, I know I’m a good teacher because I’m not afraid of mess. I am, however, sensitive—to place, to atmosphere. I left my most recent job after only nine months (a full gestation), right after February break.
Part of that was my gut talking—something I’ve learned to trust, even if I come across as sweet and naïve. And part of it was concern for my mother, who had undergone two major surgeries in as many months. The last time I’d seen her was when we buried my father.
In a dream, a banshee hissed at me: “What if your mom dies, and the last time you saw her was at your father’s funeral?” So, I booked a flight from LGA to New Orleans and went home.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
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| Me in a family Christmas photo—I'm like nine or ten (circa 1989) |
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| Me in the Late Nineties Entering Ms. Decker's Freshman Biology Class Image Credit: Mandeville High School Yearbook |
| Me in my early 30s |
“I pray you are having a good day. Stay safe!! I’m proud of the hard work you do. Love you!—Mom!”
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| Me in my room in New York City in My 40s |
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
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| My father and I fishing at Percy Quin State Park (circa 1984). |
And the cat's in the cradle and the silver spoon / Little boy blue and the man in the moon / ‘When you coming home, dad/son?’ ‘I don't know when / But we'll get together then / You know we'll have a good time then.’
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
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| I requested Dalle-3 to create an illustration depicting my computer science classroom, vividly filled with Commodore computers operating on QBasic. |
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
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| Would you like a yummy hamburger? |
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.