Showing posts with label middle and high school. Show all posts
Showing posts with label middle and high school. Show all posts

17.8.25

Plato’s Allegory of the Cave Lesson | IB MYP & ELA Resource

Educational non-profits like the International Baccalaureate and others do a good job of standardizing practices that teachers have been using for decades — perhaps even generations. I made a lesson resource on teaching Plato's Allegory of the Cave. And it has served me well as an educator. However, I wondered if it would hold up to IB standards for the Middle Years Program and beyond. Let's see.

— Greig from Stones of Erasmus



I wondered aloud: Does "The Cave" lesson align with MYP by linking communication, perspective, and inquiry on truth? It does. Let’s break it down using International Baccalaureate language.

Image Credit: Stefano Pollio

IB Middle Years Program (Language & Literature)

Let’s think about how the Cave lesson ties to the IB’s scope: The IB MYP spans ~Grades 6–10 (Years 1–5). While I think it does a good job aligning standards to this grade band, it also works really well with Grades 11–12; Check out the end of this post — I include an optional IB Diploma Program bridge at the end.

Unit framing (ready to paste into the International Baccalaureate proprietary learning management system ManageBac/Atlas)

  • Subject group: Language & Literature (since IB schools use scores of other resources, please know that this lesson on the Cave can co-badge with Individuals & Societies)

  • Key concept: Communication (how representations convey/shape meaning)

  • Related concepts: Perspective, Representation, Intertextuality

  • Global context: Personal & cultural expression (how ideas of truth/reality are expressed)

  • Statement of inquiry: Representations of reality shape what we accept as truth.

  • Inquiry questions

    • Factual: What is an allegory? What happens in Plato’s cave?

    • Conceptual: How do perspectives and media filter our perception of reality?

    • Debatable: Are images and stories reliable ways to know what is “real”?

Approaches to Learning Skills (explicit teach/track)

  • Thinking: critical & creative (evaluate claims; generate analogies), transfer (text-to-world/media).

  • Research/Media literacy: source purpose, bias, provenance (incl. film clips, diagrams).

  • Communication: organizing ideas for oral seminar; crafting clear analytical paragraphs.

  • Self-management: goal setting for seminar roles; exit tickets for metacognition.

Learning experiences (adapting the Stones of Erasmus flow to the IB MYP)

  1. Hook/Do-Now (5–7 min). Quick write to Essential Q (How do I know what’s real?)—keep. Tie to SOI/inquiry questions.

  2. Close reading (15–20). Read the plain-language text of The Cave; annotate symbols and shifts (chains/shadows/fire/sun/return). Pair-share a gist paragraph. Note — all of these resources are turn-key and ready to go in the Stones of Erasmus learning resource.

  3. Guided discussion (15). Use Qs 1–3; introduce Two Worlds chart with a Socratic “hot seat”: defend/critique Plato’s hierarchy (knowledge vs. opinion/images).

  4. Intertextual link (10). Matrix/Truman Show clips; students record claim-evidence-reasoning on an organizer (media as “cave”).

  5. Exit ticket (3–5). One way the allegory appears in their world (social media, VR, advertising).


Summative Assessment Ideas (MYP Years 2–5)

Task A — Literary analysis paragraph/mini-essay

Prompt: Explain how one symbol in the allegory develops Plato’s claim about reality and knowledge. Use precise textual evidence.

  • Assesses: Criterion A (Analysing) & D (Using language)

  • Success criteria (adapted from levels 5–8):

    • Adept selection of evidence; clear explanation of how form (allegory/symbol) creates meaning; coherent argument; accurate, sophisticated language.

Task B — Socratic seminar with media comparison

Prompt: To what extent is the “cave” a useful metaphor for today’s media environments? Bring one outside example.

  • Assesses: Criterion A (Analysing) & C (Producing text—spoken)

  • Products: Pre-seminar position card (organized notes), 10–15 min seminar, reflective paragraph on shifts in your view.

  • Criteria emphasis: Organization for purpose/audience; development and synthesis of ideas; clear oral expression and active listening.

Task C — Creative representation + rationale

Prompt: Redesign the cave metaphor for a modern context (comic strip, infographic, micro-fiction, short video) and write a 300–500 word rationale justifying your choices using allegory terminology.

  • Assesses: Criterion C (Producing text) & D (Using language)

  • Criteria emphasis: Purposeful structure, stylistic choices, vocabulary control, explanation of creative decisions using subject language.

Optional extension (Year 5): Comparative analysis of Plato and a contemporary thinker on reality/representation (e.g., Baudrillard excerpt), meeting A & D at higher sophistication.


MYP Criterion for The Allegory of the Cave in Plain Language

Stones of Erasmus resource element

MYP objective(s) it best serves

Notes / quick tweaks

Plain-language reading & gist

A (identify explicit/implicit ideas); D (accurate vocabulary)

Keep gist but add a one-pager of tiered vocabulary with sentence frames.

Comprehension Qs 1–15

A

Convert some to text-dependent “how/why” prompts to push analysis (Aiii).

Discussion Qs 1–6

A, C, D

Add discussion norms & roles for equitable talk.

Two Worlds chart

A

Add a mini-task: students critique or revise the hierarchy (does art only belong “below the line”?).

Suggested lesson plan

All (formative sequence)

Insert explicit ATL callouts and success criteria per activity.

Sample student visuals/notes

C, D

Keep creative outputs; add a required rationale paragraph (Cii/iii).


Quick MYP-ready Rubrics Ready-to-Use

  • Criterion A (Analysing)

    • 7–8: Perceptive analysis of content/technique/context; well-chosen evidence; insightful conclusions.

    • 5–6: Effective analysis with relevant evidence; clear conclusions.

    • 3–4: Some analysis; uneven evidence.

    • 1–2: Limited comprehension/description.

  • Criterion B (Organizing) (use for essay tasks where structure is assessed)

    • 7–8: Purposeful organization; cohesive paragraphs; effective referencing.

    • ... (scale down similarly)

  • Criterion C (Producing text)

    • 7–8: Sophisticated choices for purpose/audience; coherent development; engaging style.

    • ...

  • Criterion D (Using language)

    • 7–8: Precise, varied vocabulary; accurate grammar; subject-specific terms used effectively.

    • ...


Differentiation & inclusion (MYP-aligned)

  • Scaffolds: dual-coding (images + text), guided annotations, sentence starters for claims/rebuttals, glossary for allegory, epistemology, empirical, abstract.

  • Extensions: add a primary-source excerpt from Republic Book VII for close reading; student-led colloquy on whether art belongs “below the line.”

  • Wellbeing: pre-teach the “killing the freed man” as allegorical; offer opt-out from that specific detail if needed.


Strengths & Suggestions and Growth Areas

Strengths

  • Clear essential question and high-interest, accessible retelling—excellent for mixed-readiness classes.

  • Ready-to-use discussion/comprehension sets + answer keys; strong entry into philosophical thinking for ELA.

  • Authentic classroom provenance with student artifacts and teacher reflections (credibility + practicality).


Optional bridge to Grades 11–12 (IB DP)

  • TOK: Knowledge question—To what extent are sense perceptions reliable ways of knowing? Link Areas of Knowledge: The Arts vs Human Sciences using the cave as metaphor

  • Language A: Literature: Paper-2 style comparative prompt on representation vs. reality across texts/films.

PDF Copy for Printing

30.4.25

Spin the Wheel of Fortune: A 2-Day Tyche & Nemesis Mythology Lesson for Grades 6-10 (Print + Google Ready)

Engage grades 6-10 with a two-day ELA myth lesson on Tyche & Nemesis—printable, Google-friendly, CCSS-aligned, and packed with visuals.

Cover Image for a 2-Day Lesson Tyche and Nemesis

Why Teach Tyche & Nemesis Now?

In every literature class, recurring themes—tropes—spark student curiosity. Few are richer than the paired figures of Tyche (Fortuna), goddess of fortune and chance, and Nemesis, guardian of justice and conscience. Their stories echo from Wheel of Fortune to modern fantasy novels, giving your middle and high schoolers an instant real-world hook.

Lesson Snapshot

  • Grade Bands 6–10 (easily adapted up or down)
  • Duration Two 50-minute class periods, plus extensions
  • Formats PDF for print • Google Workspace™ for digital 
  • Standards Fully aligned to CCSS RL/L/W/SL, TEKS, and Virginia SOL

What’s Inside the Resource?

  • 🔖 6 Illustrated Reading Cards—public-domain art, succinct text, perfect for carousel or gallery walks
  • 🗺 2 Map Activities—locate temples at Praeneste & Pompeii to ground myth in place
  • 🗂 Anchor Chart + Vocabulary Frayer Models—visual tools for quick reference and retention
  • ✍️ 20-Question Bank & Exit Tickets—ready-to-use for quizzes or bell-ringers
  • 📝 Note-Taking Sheets—three-box Cornell format fosters evidence collection
  • Answer Keys & 2-Point Writing Rubric—transparent grading and sample responses

How Students Benefit

  1. Compare Versions: Analyze Tyche and Nemesis across Hamilton, Apollodorus, and pop culture.
  2. Build Vocabulary: Master terms like nemesis, fortune, and fate in context.
  3. Think Critically: Debate whether chance or conscience drives human action.
  4. Collaborate: Engage in “speed-dating” discussions and trivia showdowns.
  5. Write Analytically: Respond to prompts with textual evidence—CCSS W.9-10.9 ready!

Teacher-Friendly Features

  • Print or Digital: Seamless in-person, hybrid, or remote.
  • No Prep Needed: Download, assign, teach.
  • Extendable: Connect to my other mythology sets—Furies, Fates, Titans, Iliad.
  • Assessment Ready: Exit tickets + rubric give you instant data.

Classroom Idea: Spin Your Own Wheel

Create a cardboard “Wheel of Fortune” with pockets labeled Reward or Rebuke. After reading, students spin and justify—using evidence—whether Tyche’s gift or Nemesis’s judgment fits a mythic scenario. Instant engagement!

Grab the Lesson

➡️ Download on Stones of Erasmus

Let’s Keep the Conversation Rolling

Have a classroom story or a question? Drop a comment below or email me at support@stonesoferasmus.com. I love hearing how teachers spin mythology into gold!

7.5.24

Navigating New Beginnings: Reflections on Teaching and Personal Growth in Jackson Heights

Discover a teacher's reflections on personal growth and career transitions, inspired by deep connections with students in Jackson Heights.
"A journey of a thousand miles begins with a single step" — Lao Tzu
In May I took a photo of a batch of flowers grow in Jackson Heights, Queens
Jackson Heights in Queens is Aglow with May Flowers
On Leaving
Jason, whom we'll call by that name, arrived in the classroom accompanied by Corey, also a pseudonym. They exclaimed, "Mr. Roselli, are you leaving? You're my favorite teacher!" Indeed, there is a departure, but the term "leaving" should be viewed more as moving forward. The accuracy of being their favorite teacher might be debatable, yet what truly resonated in that moment was their genuine concern. Their warmth and optimistic demeanor were unexpectedly touching, especially since adolescent boys often oscillate between being reserved and taciturn or loud and brash. This encounter was a proud one, as it reflected a significant connection made.

Existential Moment
I find myself in a place in life that I haven't experienced in a long time. I'm just wrapping up eight years of teaching at my current school in the Jackson Heights neighborhood of Queens, where I've had the honor and pleasure of working with a host of wonderful, curious students. I've gotten to know and work with these students over the years. The current seniors I'm teaching this year have been my students since they were in fifth grade. I taught some of them a research class in sixth grade, an ethics class in middle school, and English in 10th grade. Some I also taught as their history and humanities teacher in 11th grade, and now they're seniors. 

I find myself at a precipice because I am leaving my current school to venture out into a different world. Just like the phoenix, I am ready to rise from the ashes in a new place. This transition has prompted me to reflect on who I am and where I am in life. I am very proud of the work I have done, not only in the past eight years at my current job but also over my entire 13-year career teaching secondary education, covering grades 5 through 12. Just last year, I finally received my professional teaching certification in New York State, which is now part of my official records.

From One Place to Another
I find it fascinating to consider what teaching truly involves. We plant our feet in a specific place, within a specific community. And Oh! The places we go. Whether it is the New Orleans where I grew up, or the many visits I have made to the Metropolitan Museum of Art, I am a sojourner. I've had the privilege of traveling to China with students and teachers and visiting other students in Beijing, Suzhou, Shanghai, and Xi'an. This past February, I traveled with 51 students and 10 teachers to London and Paris. And what about the journey of writing, of reading? I sometimes say you really don't need to leave a place to visit the world. Open a book. Think about it. Since 2017, I have created over 270 unique educational resources, sourced from the public domain, the New York Public Library’s digital collections, and various humanities-based topics, ranging from Socrates to Angela Davis. I can't be done yet, no m'am!

Teaching Humanities, adolescents are exposed to different ideas. And that is an exciting space to carve out in a classroom. While I definitely have my own opinions, and beliefs, and I inhabit the world in a certain way, I wonder how distanced from myself I need to be as an educator to allow my students to begin thinking independently and not merely parroting my ideas (or someone else's). Today, someone asked me about the concern that teachers might indoctrinate their students, which made me think about how we barely have time for that in the classroom. I can be completely myself, yet also create a space for dissenting opinions, which I appreciate as long as we adhere to basic human integrity principles and aim to share rather than harm. I always start my humanities classes with this principle: We state our own opinions and ideas; we do not attack others’. For example, instead of saying, "Deborah thinks capital punishment is illegal, and she’s stupid for thinking so," we say, "I believe capital punishment should be legal in the United States." We take ownership of our ideas, and this is how I conduct discussions in my classroom. 

Reflecting on Mid-Life

Approaching middle age-I'll be 45 in December-I feel confident yet exhausted, and curious about what's next. Maybe that curiosity is what's pushing me to explore a new direction. If Dante, in his classic epic, can find himself guided to new places, where he is "mid-life in his journey," then so can I?

Right? Listen! 


I saw Jason and Corey again; this time, it was during lunch, where 1 sat with two very quiet, amazing teachers and about thirty loud teenagers. They had some stories to tell me-like, 'Remember that time you taught an entire lesson dressed up as Doctor Who?' or, 'When we were being rowdy, so you climbed on the table in your classroom to get our attention?' Yes, those anecdotes are most likely true. By nature, I am an ephemeral person; not much of what I do is permanent. Often feeling like a visitor in my own life, I am comforted when others can validate my experiences. For sure-my tombstone will not merely read

'Greig—he washed his dishes!'