Spin the Wheel of Fortune: A 2-Day Tyche & Nemesis Mythology Lesson for Grades 6-10 (Print + Google Ready)

Engage grades 6-10 with a two-day ELA myth lesson on Tyche & Nemesis—printable, Google-friendly, CCSS-aligned, and packed with visuals.

Why Teach Tyche & Nemesis Now?

In every literature class, recurring themes—tropes—spark student curiosity. Few are richer than the paired figures of Tyche (Fortuna), goddess of fortune and chance, and Nemesis, guardian of justice and conscience. Their stories echo from Wheel of Fortune to modern fantasy novels, giving your middle and high schoolers an instant real-world hook.

Lesson Snapshot

• Grade Bands 6–10 (easily adapted up or down)
• Duration Two 50-minute class periods, plus extensions
• Formats PDF for print • Google Workspace™ for digital • Easel™ activities on TpT
• Standards Fully aligned to CCSS RL/L/W/SL, TEKS, and Virginia SOL

What’s Inside the Resource?

• 🔖 6 Illustrated Reading Cards—public-domain art, succinct text, perfect for carousel or gallery walks
• 🗺 2 Map Activities—locate temples at Praeneste & Pompeii to ground myth in place
• 🗂 Anchor Chart + Vocabulary Frayer Models—visual tools for quick reference and retention
• ✍️ 20-Question Bank & Exit Tickets—ready-to-use for quizzes or bell-ringers
• 📝 Note-Taking Sheets—three-box Cornell format fosters evidence collection
• ✅ Answer Keys & 2-Point Writing Rubric—transparent grading and sample responses

How Students Benefit

1. Compare Versions: Analyze Tyche and Nemesis across Hamilton, Apollodorus, and pop culture.
2. Build Vocabulary: Master terms like nemesis, fortune, and fate in context.
3. Think Critically: Debate whether chance or conscience drives human action.
4. Collaborate: Engage in “speed-dating” discussions and trivia showdowns.
5. Write Analytically: Respond to prompts with textual evidence—CCSS W.9-10.9 ready!

Teacher-Friendly Features

• Print or Digital: Seamless in-person, hybrid, or remote.
• No Prep Needed: Download, assign, teach.
• Extendable: Connect to my other mythology sets—Furies, Fates, Titans, Iliad.
• Assessment Ready: Exit tickets + rubric give you instant data.

Classroom Idea: Spin Your Own Wheel

Create a cardboard “Wheel of Fortune” with pockets labeled Reward or Rebuke. After reading, students spin and justify—using evidence—whether Tyche’s gift or Nemesis’s judgment fits a mythic scenario. Instant engagement!

Grab the Lesson

➡️ Download on Stones of Erasmus @ TpT

Let’s Keep the Conversation Rolling

Have a classroom story or a question? Drop a comment below or email me at support@stonesoferasmus.com. I love hearing how teachers spin mythology into gold!

What Three People Said About Using My Humanities Resources in the Classroom with Actual Students

Discover what educators are saying about my engaging, classroom-tested Humanities and ELA resources for middle and high school teachers and students.

Stones of Erasmus is more than just a blog; it is where I go to create fun, engaging humanities resources that spark meaningful conversations and inspire students from grades 6-12.

Teachers, parents, and administrators love my resources! Rebekah shared that she used them “first with adult ESL students and then with my teenage sons as a conversation game,” adding that “the hook and realness of the issues” resonated with both her sons and her students. Frances, who had never taught philosophy before, said, “My students were engaged while reading and discussing the different philosophers. Thanks for putting it all together for us!”

I create fun, engaging Middle and High School ELA activities loved by teachers, perfect for philosophy, mythology, and diverse, growth-minded classrooms.

PDF Copy for Printing 

Sandcastle Moments and Subway Shirts: A Midlife Sabbatical from Queens to the Gulf

On sabbatical and soul-searching, I reflect on family, identity, and what it means to start over—again—from Louisiana to New York.

I woke up this morning from vivid dreams of libraries, petty theft, and people from my past. My mother was telling me to hurry up and get on with it—classic dream logic.

The Sabbatical Life

I’ve taken on a self-imposed sabbatical. That’s the nicest way I can frame it because no one really wants to hear the words “unemployed” or “jobless.” But that’s where I’m at—and it’s a decision I made. I’m a teacher by trade, though I’ve worn many hats (and I’m not even talking about reincarnation).

I plan to be back in a classroom by September. (And if you’re reading this before then, dear reader, don’t jinx it.)

I like to call this a sandcastle moment: one of those times when the tide comes in and sweeps away the intricate structure you’ve built, and all you can do is start again. As a kid, I loved standing in the wet sand, letting the waves rush over my feet, tugging at the earth beneath me. That was the Gulf of Mexico of my childhood—a brown, brackish sea that never made it onto postcards.

Now, as an adult, I avoid beaches. Sand gets everywhere. But childhood made them magical.

Adult Life and the Flotsam of Responsibility

In adulthood, I’ve lost that innocent lens. Bills pile up. Garbage needs to be taken out. Taxes lurk. Cover letters wait to be written. I distract myself by listening to that haunting song from Donnie Darko—you know, the one with the time-traveling rabbit (cue Mad World by Gary Jules).

Still, I know I’m a good teacher because I’m not afraid of mess. I am, however, sensitive—to place, to atmosphere. I left my most recent job after only nine months (a full gestation), right after February break.

Part of that was my gut talking—something I’ve learned to trust, even if I come across as sweet and naïve. And part of it was concern for my mother, who had undergone two major surgeries in as many months. The last time I’d seen her was when we buried my father.

In a dream, a banshee hissed at me: “What if your mom dies, and the last time you saw her was at your father’s funeral?” So, I booked a flight from LGA to New Orleans and went home.

Action Figure Challenge on Chat GPT: A Photorealistic Action Figure of Me Teaching Humanities (Complete with Books, Coffee, and Whiteboard Charm)

A photorealistic action figure tribute to the everyday magic of teaching humanities — complete with books, coffee, and chalkboard charm.

"Greig, Humanities Teacher" Action Figure

I can relate to the "Action Figure Challenge" because it brings back memories of me as a kid ogling the newest He-Man action figures in my local K-Mart toy aisle while my mom gathered supplies from the housekeeping department (if you know, you know). When I noticed people using OpenAI's image-generating capabilities to create bespoke action figures of themselves in their professional roles, I knew I had to participate and share my own creation.

Participating in this challenge also serves as a form of healing from a disappointing experience I had with Hasbro and their G.I. Joe action figure promotion. The deal was simple: fill out a form, mail it in with some money, and receive a personalized action figure crafted to your specifications. However, instead of the custom figure I envisioned, Hasbro sent an obviously generic figure with only a printout listing my specifications. Even as a naïve ten-year-old, I knew something was amiss. So here's to you, Hasbro — you contributed to the end of my childhood innocence.

Now that I'm forty-something, I don't exactly play with action figures anymore, though I still have a few figurines hanging around—a pink capybara and a woolly mammoth from Amherst College. Sadly, all my original G.I. Joe, Star Wars, and He-Man figurines are probably languishing in a trash heap somewhere in Arabi, Louisiana (which, in my imagination, is the universal dumping ground awaiting collection by a garbage boat on the Mississippi River).

There's something reflective and even psychologically compelling about action figures. Ostensibly, they're designed for children — particularly those between school age and pre-adolescence, a time when the human mind is especially attuned to play, mimicry, and exploring inner, yet undeveloped fantasies. As a kid, your agency is limited, and you're often at the mercy of your parents. Toy play becomes a way to compensate for this lack of control, simultaneously shaping your vision of your future self. It makes sense, then, why the action figure challenge is trending now: in uncertain times, we often seek solace by imagining ourselves in a simpler era—even though we know, deep down, such simplicity never truly existed.

Here is the prompt I used and fed to Chat GPT (I also added a photograph for the AI to use as a reference:

A full-figure action figure of a person displayed in its original blister pack packaging. 3D toy style.

The packaging header prominently displays the name 'Greig' using bold, stylish typography appropriate for a modern collectible figure. Below or tastefully integrated nearby, the role 'Humanities Teacher' is shown in a clear, complementary font. The overall text design should feel fashionable, appealing, and thematically aligned with the academic and intellectual world of the humanities.

The figure represents Greig and is wearing a dark navy polo shirt tucked into black slacks, reflecting a relaxed yet professional teacher style. His stance is slightly casual with one hand on his hip, conveying an approachable, conversational classroom demeanor. The figure's face should closely resemble the provided image reference.

Inside the blister pack, next to the figure, are the following accessories: a whiteboard with marker, a stack of classic literature books, a reusable coffee mug, a "grading" clipboard, a small desk nameplate that reads “Mr. Greig,” and a laminated class syllabus.

The packaging card design features a chalkboard green background with faint classical architecture sketches and literature quotes, creating an overall attractive and professional backdrop. Add realistic lighting effects that simulate glossy plastic — including soft reflections, subtle highlights, and shadow gradients on the blister surface — to enhance the sense of depth, transparency, and three-dimensionality, making the toy packaging appear lifelike and premium.

Photorealistic rendering, studio lighting, clear focus on the packaging and figure. --ar 2:3

Have you completed the "Action Figure" challenge? Share a link to your creations. I'd love to see 'em.

PDF Copy for Printing

Interpreting William Blake’s ‘London’: A Deep Dive into 18th Century British Society

In this post, we’re delving into the depths of the London scene portrayed by William Blake, the renowned 18th-century British romantic poet. His evocative poem, “London”, paints a stark picture of urban life at the onset of the Industrial Revolution, a time when the agrarian society was fading into history, making way for the hustle and bustle of city life.

Original Print of Blake's "London"

Blake’s poem is a potent social critique, where the language is economical, yet the power of his word choice is profound. He makes use of repeated phrases and words, drawing attention to the dichotomy of city life and nature, the man-made versus the natural, the stark reality versus the fairy tale expectation.

“London” is not a mere depiction of city life. Rather, it presents a narrator wandering through its streets, observing and internalizing the miseries of humanity he encounters. There’s an aura of loneliness and unhappiness, a sense of disconnect despite being surrounded by others, which resonates with anyone who has ever experienced the anonymity of urban life.

Blake’s narrator points to the marks of weakness and exhaustion on the faces of those coming from factories, critiquing the exploitative labor conditions of the time. The poet also highlights societal apathy towards the suffering of young chimney sweepers, a tragic reminder of the city’s dark secrets. The chimney sweepers, who were often children, worked in deplorable conditions, their plight remaining unnoticed or ignored by the very society that benefitted from their labor.

Blake doesn’t hold back in his critique of institutional indifference. The Church and the State, he argues, are indifferent to human suffering and injustice. The poem illustrates the plight of soldiers shedding blood for the interests of the state and the harlots who were often inflicted with diseases, only to pass them onto their customers who would unknowingly bring them back home.

The poem doesn’t offer a solution. Instead, it acts as a protest, crying out against societal ills and apathy. Blake presents a vivid picture of a society manacled by its own despair, bound by the chains of its inaction. By voicing out these atrocities, the poet forces us to confront our own complacency and challenges us to question what we would do in the face of such human misery.

Blake, who was also a skilled printmaker, often supplemented his poems with visual imagery. For “London”, he illustrates a young boy leading an old man and a child warming up by a fire, which further highlights the pervasiveness of suffering in the city.

In essence, Blake’s “London” is not just a depiction of city life, but a thought-provoking critique of society and a plea for empathy and action. Although it doesn’t end on a note of hope, it prompts us to reflect on our role in society and to consider how we can alleviate the suffering around us.

Hey, Teachers!

Teach the poem "London" to students in middle and high school with a jam-packed teacher resource on William Blake's London and the Industrial Revolution.

PDF Copy for Printing