Aesthetic Thursdays: Caravaggio

Caravaggio's "Sacrifice of Isaac" is remarkable because it uncharacteristically depicts Isaac not as subordinate to Abraham's desire, nor blithely unaware of his fate, but rather as horrifically terrified by God's injunction to have him killed by his own father.

Caravaggio, Sacrifice of Isaac, 1603

Caravaggio, Sacrifice of Isaac (Detail) 1603

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Family Photo: Brother Brother

In this post, I share a photograph of my younger brother and me.

My brother Nick and I chillin' in New Orleans

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Quotation: Walker Percy on Gentilly

"The swamps are still burning at Chef Menteur and the sky over Gentilly is the color of ashes."  (p.17)

Walker Percy,The Moviegoer.

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Source: Percy, Walker. The Moviegoer. Farrar, Strauss, Giroux. 1961. Print.

Aesthetic Thursdays: Death of Marat

Jacques-Louis David's painting "Death of Marat," tells a real story. One of political intrigue and murder.

Death of Marat by Jacques-Louis David 
(held by the Royal Museum of Fine Arts in Brussels, Belgium)

David's Painting Is a Record of a Real Assassination 

I don't have to create a story about the above painting. History already has one. During the French Revolution, Jean-Paul Marat was a journalist. Marat was killed in his bathtub. Apparently, he loved taking long, luxurious baths. He had a skin problem (so he needed to take soothing baths). On July 13, 1793, He was assassinated by Charlotte Corday because she thought Marat was a cause of the violence and bloodshed (The French Revolution is famous for how many heads rolled.) in France. 

A Painting That Captures The Scene of a Crime

Marat was a radical Jacobin (which meant he was full-on anti-monarchy and full-on revolution). The jury is out on Corday's allegiances — some say she was in favor of the Monarchy while others said he was a supporter of the Girondins, a political faction who originally supported abolishing the monarchy, but later, became less radical in their politics. She was caught by the authorities and sentenced to capital punishment by the guillotine.

The Portrait of Marat Is Painstakingly Detailed and a Tribute to a Revolutionary

Looking closely at the painting, several features of the work are noticeable. The body of Marat is an idealized portrait of a corpse — similar to the paintings one sees of Jesus's body laid to rest. Marat's arm lays languidly on the side of the bathtub and he holds the tools of his trade — a quill and a parchment with a petition that had been given to him by Corday to sign. The knife that was used to kill him lies on the floor. David's careful arrangement of the scene makes Marat out to be the person he purported to be — a writer, and a revolutionary.   

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On the Manufacture of Childhood Innocence

In this post, we present a quote by James R. Kincaid on the production of childhood innocence in contemporary culture.

The Author as a Child From a Department Store Photo Shoot (c. 1980s)

Few would question that the innocent child was manufactured by Rousseau, with refinements by Wordsworth and thousand lesser writers, interior decorators, and producers of greeting cards.

— James R. Kincaid

Source: Kincaid, James R. Child-loving: The Erotic Child and Victorian Literature. New York: Routledge, 1994. Print.

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A Little Bit of Poetry: "Poem for a Trieb"

In this post, I present a poem I wrote inspired by a night of Scrabble where I felt the tug and pull of friendships and a desire to break through the mundane.

The author as a teenager —in Mandeville, Louisiana
at Georgette Pintado's house on Live Oak Street (with Amy and Jeff).

---

I never venture to believe in avatars anymore
for they seem too
much like
superheroes,
like Jesus,
in his benign human nature, divine,
so I dismiss the idea of divine blood,
vouching for more a raw libido, exhausted
breaths, numbing existence,
mere existence —
The funny thing is
that
I

… when the coffee table
is cleared and Brian
sets up the Scrabble board,
David and Juniper
are determined to win,
so they joined in the fight to
beat us —

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