Showing posts with label Flushing. Show all posts
Showing posts with label Flushing. Show all posts

30.7.22

Musings and Photos: On First Meetings and How I Sort-Of Allude to Peekaboo in a Serious, Philosophy-Minded Kind of Way

In this post, I free associate about first meetings, love, and God knows what else!

Sometimes you have to lie back down on the concrete to see what's up there.

There’s something potentially powerful in a first meeting, So, which is why, if you watch like, um, Pre-K students or Kindergarten students, there's a struggle, a challenge in adapting to others because it's strange. It's not mother’s face; it's not home. It's not the womb. It's not the place where you grew up. It's not, it's not that, you know, and that's why like child psychologists or developmental psychologists will talk about like, um, the experiences of the young child, right before they go to school, where they, where they, um, experienced this back and forth between I'm scared; I'm safe; I'm welcomed. I'm, uh, I'm terrified; I'm. . . I'm taken in; I'm comforted, right? So this, like, gets encapsulated in the childhood game of like peekaboo. I'm here. I'm not there. So presence and absence. Um, and for me, you know, I can tap into some deep psychic stuff, you know, like something, this, I can feel, like a child, when that love object is absent. I mean, it's such a strong visceral feeling, which is why I think first love for a teenager or a young adult can be so powerful and rip you apart. I mean, I can remember just longing for somebody who I was in love with, you know, wanting to be with them. And when I wasn't with them, it just was this physical feeling of absence. Um, so that's real. I mean, that's like kick to the gut emotion. Um, and perhaps you get out into the world — for me, moving from small town Louisiana to Europa to a Benedictine monastery (yes, that happened), to New York and the world again, I'm not sure what happens, but you get used to the pain — of that — of this — world. Offers or you take, or you look for; or, you pine. Are you able, you're able to sort of like sublimate, whatever you lost, what will you able to like, not replace, but you're able to sort of like transmute, whatever you lost into something new. Right? That's what art is. That's what creativity is and all that kind of stuff. Um, but going back to this original idea of like, when the, the potential power in a first meeting, right, the potential power there is, and just meeting someone for the first time, you know, um, uh, it can be such a satisfactory experience, right?

Photos (Read From Left and Clockwise):
Women in Red Dresses in Flushing;
Getting off the LIRR in Port Washington;
Two Dead Fish;
A Fishmonger and His Assistant

21.1.20

A Moment of Clarity Waiting for the Q66 Bus in Flushing

I don’t like to wait. For buses. For people. Waiting feels like an abuse on my person. But worse than that, waiting exposes the truth of it all - that I’m not important.
     Which is why people who are entitled or privileged scoff at flying coach. One has to wait. So those who can pay the extra cash do so to stave off the notion that they’re insignificant. However, there is something to be said for waiting. I was waiting for the Q66 bus. This New York City bus takes me from Flushing to home via Queen’s Northern Boulevard. Today, I took the bus. I was shepherding a few students of mine back to Jackson Heights. We had spent the day in Flushing to celebrate the Lunar New Year (even though it doesn’t officially begin until Saturday). I teach teenagers who are studying in the United States on F-1 visas. 
      What that means is - among many aspects of the job - that we take trips quite often during the year. This year, we decided to go to a hot pot restaurant that recently opened up in Flushing. Apparently, it’s a popular chain in China. It’s situated on the ground floor of a modern box-y office building. The Mandarin teacher at my school recommended the place; she organized the trip. The dean of the upper school also came with us. He had never eaten at a hot pot restaurant, so we introduced him to duck blood and ponzu sauce.
      After the meal, waiting for the Q66 bus, I noticed the sign of Modell’s Sporting Goods sign flapping in the wind. I don’t like to wait, so I made something aesthetic for the moment. It’s often true that time slows down when waiting. Maybe it was the festive meal we were having. But I felt I was seeing, reaching for, and experiencing beauty all around me. Time goes into slow motion. Flapping of a sign. Red lanterns hanging from the storefront window. Ginseng for sale. The laughter of children. The feel of my wallet as I take it out, searching for a metro card. It’s an ephemeral feeling that lasted long enough to make me feel on par with existence. So I took a few photos. Pictures never capture how I see something with my eyes. The human eye’s depth of vision still exceeds the iPhone camera.
      I like the conversation I hear around me. I even said “Happy New Year” to a gentleman waiting for the bus in Mandarin. He smiles. I think he must be proud of me that I know an appropriate Lunar New Year greeting. We board the bus - the students and I - and I’m pleased by how calm they are; as the bus rocks and sways, gaining speed as it crosses Flushing Bay, the world seems open with possibility, and I remember the morning time. Sitting. Waiting. For the day to begin. And a teenager had said out loud, “I’m bored” - it was that time before classes had begun. That moment of free time terrifies some people because I don’t think everyone learns what exactly to do with themselves.
       It’s a skill. To stave off boredom and do. Something. And I don’t like to wait. That feeling of inactivity. Of time ticking. “Are we back at school? Yet,” asks Neil - who is sitting across from me. Yes. I say. Press the button to alert the driver to stop. “But I’m scared,” he says. I press the button. I get it. He’s afraid to stop the bus. To fling himself into the next thing and the next. I get it. I tell him. And we’re off.