Advice on Priorities from François Truffaut's 1973 Classic Film "Day for Night"

François Truffaut's film Day for Night

Transcript of the Scene (for context)

Julie: Liliane ran off with the stuntman. 

Joëlle: Does Alphonse know?  

Julie: I had to tell him. 

Joëlle: With the stuntman? I'd drop a guy for a film. I'd never drop a film for a guy!

While the quote is not an advertisement for self-imposed celibacy, it is a funny take on priorities. I interpret this quote as choosing art over carnal pleasure. Also, Joëlle's comment, "I'd drop a guy for a film. I'd never drop a film for a guy!" is an accurate barometer of Truffaut's feelings - and passion for - filmmaking. 

Have I ever ditched a guy to go to a movie instead? In New York, where there are dozens of select film screenings of the world's best cinema - yes - I have chosen movies over men. 

Have you ever ditched a guy (or a girl) so you could pursue your love of movies (or anything resembling art and artmaking)? Let me know in the comments.
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Image Source: François Truffaut's La nuit américaine (Day for Night) © 1973

Quotation: Lucretius On Childish Fear

"Our life is one long struggle in the darkness; and as children in a dark room are terrified of everything, so we in broad daylight are sometimes afraid of things that are no more to be feared than the imaginary horrors that scare children in the dark."

Lucretius, De Rerum Natura, Liber Secondus
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Stanley Cavell on the Aesthetic Autonomy of the Photographic Image

"Photography overcame subjectivity in a way undreamed of by painting, a way that could not satisfy painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the task of reproduction."

Stanley Cavell, The World Viewed

Source: Cavell, Stanley. The World Viewed : Reflections on the Ontology of Film. New York: Viking Press, 1971. Print.

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Quotation: Walker Percy on Bourbon Drinking

Bourbon, Neat

Not only should connoisseurs of Bourbon not read this article, neither should persons preoccupied with the perils of alcoholism, cirrhosis, esophageal hemorrhage, cancer of the palate, and so forth — all real enough dangers. I, too, deplore these afflictions. But, as between these evils and the aesthetic of Bourbon drinking, that is, the use of Bourbon to warm the heart, to reduce the anomie of the late twentieth century, to cut the cold phlegm of Wednesday afternoons, I choose the aesthetic.

Walker Percy, Signposts in a Strange Land, "Bourbon", 1991

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Quotation: Nietzsche's The Gay Science

We philosophers are not free to divide body from soul as the people do; we are even less free to divide soul from spirit. We are not thinking frogs, nor objectifying and registering mechanisms with their innards removed: constantly, we have to give birth to our thoughts out of our pain and, like mothers, endow them with all we have of blood, heart, fire, pleasure, passion, agony, conscience, fate, and catastrophe. Life - that means for us constantly transforming all that we are into light and flame - also everything that wounds us; we simply can do no other (Nietzsche 1974 34-35).

Nietzsche, Friedrich W, and Walter Kaufmann. The Gay Science: With a Prelude in Rhymes and an Appendix of Songs. New York: Vintage Books.

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Aphorism: "Coffee Musing"

"A cup of coffee is the closest thing to hashish"

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