17.11.11

84 Year-Old Retired Teacher Pepper Sprayed in Seattle

Dorli Rainey, an 84-year-old retired school teacher was pepper-sprayed in Seattle's Westlake Park on Tuesday along with other protesters on the corner of 5th Avenue and Pine Street. A mass of protesters had gathered to show support for the Occupy Wall Street Protesters in New York. Police forced the crowd back and threw pepper spray into the crowd; a priest, and a pregnant woman were sprayed.
source: JOSHUA TRUJILLO / SEATTLEPI.COM
Even Michael Bloomberg in a press conference today acknowledged that the protester's anger should be heeded.

It is foolish to think the recent spate of protest movements that have sprung up in the United States in the last three months have been orchestrated only by young people, the unemployed, and the n'er-do-wells-of-society. The movement embodied by Occupy Wall Street in New York City, which has spread nationwide, has only gained in momentum, not only by the young but also by older generations; by teachers, the supporters of youth; by mothers; priests. People we look up to as well as people who care about society in general. Activism is supposed to be about doing something to promote change.

When an 84-year old retired school teacher in Seattle was pepper-sprayed on Tuesday on her way to show support for ousted protesters in New York, I felt anger towards all the people who have said that this movement is irrational, unorganized, fake, not able to gain momentum, should stop, protesters should go to work, and so on.

14.11.11

Movie Review: Love Story

A capsule review on fragility and loss in Love Story (1970) with a special nod to love in libraries.
Ryan O'Neil and Allie McGraw in Arther Hiller's Love Story (1970) 


Yes, I must say, love that begins in a library is a trope we find in Music Man or in the fantasy of bookish nerds, so we naturally equate it with Cinderella syndrome  the woman patiently waiting for her man to appear from behind the stacks. In the 1970 Arthur Hiller film, Love Story, Allie McGraw and Ryan O’Neil butt heads at a library circulation desk; hardly the madame librarian named Marianne, or some ethereal intellectual fantasy. Ryan O’Neil, a Harvard jock, deemed “preppie” by his inimical counterpart, the black-haired brilliant musician sprung from humble Bostonian roots. The two make for a nice compare and contrast (as far as romances go). In the scene, shot in the interior of the library at Radcliffe, O’Neil attempts to check out The Waning of the Middle Ages. “Do you have your own library?” she asks, goading him, revealing the difference (at least to the viewer) between the sexes at ivy league American schools. Harvard is gendered as male: more books, more knowledge, more opportunity. Why should a man march into a woman’s space demanding their knowledge when he has his own, and more? The two argue. She wants to play. He just wants a book. The heart and spunk of the intellectual romantic comedy is born. The tropes are obvious. And we see the two soon-to-be-lovers as distinct yet compatible. The jock likes the girl’s toughness and rebellious approach. She likes his body, as she playfully says, and perhaps notices he is not put-off by her intellectual affronts. The psychology is laid out in pieces in the movie. He comes from privileged New England wealth but disdains his background. She has pulled herself up by her bootstraps and wears her intellectual and musical acumen like a badge. 

Allie McGraw projects beauty in this movie and the ability to engage in playful rapporté  not quite a femme fatale, however, since beneath her brilliance lies a fragility that marks the film and gestures towards its intrinsic theme, namely the fragile nature of relationships thwarted by circumstances often beyond our control. Despite their outward differences, the two come together because of a shared sameness. The movie takes turn portraying Ryan O’Neil’s character as vulnerable, for example when his father shows up unexpectedly at a Harvard hockey match and Allie McGraw’s character is there to support him, to hold him up. On the way to visit his parents, Ryan O’Neil eases her apprehensions about the visit. Of course, the movie is set up to be about the oscillation between loneliness and fragility. The opening shot, if I recall, is the former Harvard jock looking out onto an empty ice skating rink in Central Park. We as viewers do not know the significance of this scene until much later when we learn that our intractable, confident heroine has contracted leukemia. Preppie skates the rink in solitude while she looks on from the bleachers, both aware of the fragility of their soon to be broken apart bond. The editors chose to superimpose Allie McGraw’s image over that of Ryan O’Neil as he skates. For me, this was unnecessary for I think it dismisses the impact of the loss to come. We are reminded of the playful moments of their relationship earlier in the film: for example when both make snow angels and build a snow fort at Harvard. Director Arthur Hiller mentions in a documentary on the film, that this scene was serendipitous in that there was a record snowfall that day, but he decided to film anyway. Since he had made it clear he wanted Allie McGraw and Ryan O’Neil to portray what lovers do when they are new in love, he just had them play naturally in the snow. Here we see the two without words, without intellectual sparring, or agonizing over class difference. It is in other scenes that we see the intellectual difference between the two. She is graceful and brilliant in music and he is stalwart in achieving success cut off from the breast milk of his rich upbringing. The movie would be mediocre if we knew from the outset that our heroine will die. We only know this later; and, we can then feel for their loss. We are meant to project our own emotions and our own memories of love and love lost onto our formal lovers on screen. Perhaps this is why the movie was so popular, nominated for seven academy awards  not to forget the original score that is transcendent in its tonal representation of love and loss. I don’t think Love Story is a great film, but I do feel it would have been a lesser film if not for the work of our two stars who truly embody on screen the give and take of living with one another, the give and take, ease and struggle, life and loss, separation and link of conversation and togetherness.

12.11.11

A Few Favorites: Books, Instant Books, and Libraries

“I have always imagined that Paradise will be a kind of library.”  -- Jorge Luis Borges

I had asked my sixth graders, whom I meet faithfully every Saturday to work on writing and reading comprehension, to write an essay about a favorite thing, a wished-for happening, and one place they would like to visit. My hopes? That they would tie the pieces together and craft a five-paragraph essay.

Here's what I wrote as my students composed:
My favorite thing is a book; my wished-for happening is to have any book I ever want or hope to read at my immediate disposal; and my favorite place is a library, of course. It is a miracle of free association that my "three" cohere. I didn't begin it this way. Nor intended it. So, since this is a timed piece of writing, I may as well trust the process.
First, books. Books comfort me. I won't even mention content, for now. The form is important only to the extent that it helps me reach the content. Even a book nestled in the 01000100s of my iPad comforts me. Since purchasing an iPad several months ago, I still find it a delight to load up the Google Books app and add classics from the seemingly endless supply of out-of-copyright books. Lest I deceive you into thinking I only love digital books, let me remind you that I used to have a sizable library which I had to give up when I moved to space-deprived New York City. What is it in a book that is so great? It's the option I have to dip into words, without which, I would be lost in an already feeling-kinda-lost world.

To end the misery of finding an out-of-print gem is a great wished-for happening. Have you ever stumbled upon a book you would like to read but your local library does not have a copy and Amazon's used marketplace lists it at a price more than you are willing to spend? If I had a superpower it would be to summon at my fingertips any text I want to peruse at any time. Imagine Google Books if it were a realized reality.

I agree somewhat with Borges who said paradise is like a library filled with an endless array of books. I should qualify this wish, however. I do not envision a Borgesian library of books filled with every possible letter combination. To me, this would be hell. To search through endless mismarked copies of Hamlet in the hopes of finding the ur-text is a maddening enterprise, which is why Borges has a few of his library travelers sprawled on the floor dead  dead of exhaustion? Dead after searching aimlessly for an ur-text. No. Sir. Not that my paradisaical happy place must have the "great books". It must be replete with Barbara Cartland as well as Homer's lost epics. I prefer a bad book, a good book  even a book like Finnegan's Wake  which is bad and good at the same time.
I'm not sure such a reader exists, or will ever exist.

Certainly, the fantasy I have described here is long in coming. And to think that it could be foreshortened by a dystopian regime akin to Ray Bradbury's Fahrenheit 451 is a disastrous thought. I would like to think ideas and philosophy will be continued to be vouchsafed by man's pen -- whether it is n the guise of a keypad or a voice dictation service, doesn't matter. I shiver at the thought that ideas are written only to appease: this would be the Huxley imagined nightmare. The Orwellian nightmare is farcical -- for hasn't Big Brother been shown to be inept? If the Bradbury nightmare is the most plausible then I must add a fourth wish: to hope, beyond hope, that I can memorize, commit, vouchsafe, one book to memory. The problem is I am stuck in the choice. I wouldn't know which to choose; instead, Montag's firemen would find me like they found the madwoman who burned herself up with her cherished books. For me, though, they won't burn me up, instead, they will laugh.
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