22.3.10

Handout: Invocations Inspired by the Odyssey of Homer

Here is a handout I made entitled "Invocations Inspired by the Odyssey of Homer".
A little handout of made up invocations for the Odyssey (with apologies)

credits: odysseus, penelope, telemachus, athena   text: greig roselli © 2010 with apologies to the muses and to homer.

21.3.10

Poem: Test Anxiety

photo credit: trainsignaltraining
his face flushes rust
pen to paper smooth
his face squished, concentrated

in the morning,
before school

he is aglow with the joy
of youth

in the span of a day,
will you complete the cycle of turns?

will you go from ruddy to rude?
from studious to confused,
or cling to a man, a boy or a girl,

unaware as of yet on how to
articulate a body in space
time
laughing, loving
the essence of being human?

NOLA: Saint Charles Streetcar at Nashville

Passenger Peering
Streetcar Seat Slats
Groovy Grounds

20.3.10

Poem: "Weight Problem"

photo credit: transiacc













I was shaving, showing my tummy in the mirror
A plump pudge gathered round
my navel,
a pink mound
peering and chuckling
over my pyjamas.
I poked my pinky into my flesh
a skin landscape, a planet of hair
laughing back at me
as I glided my razor across my
smooth gilette face.

19.3.10

Libraries and Librarians in Film

EW did a thing on 18 movies with libraries, but I thought I'd add to the mix with just 3:
Citizen Kane
The Library Matron
The librarian grants access to a journalist to read the diary of Charles Foster Kane's guardian William Thatcher.
Citizen Kane (1941)
William Thatcher's diary in the famous Citizen Kane library scene
A stern-looking librarian leads a reporter into a cell containing a diary by Charles Foster Kane's guardian William Thatcher that may give him leads to the infamous newspaper magnate's sudden death. The journalist in the film plays the part of the dogged researcher who seeks out every possible avenue to sort out why did Kane spout out before he died, "Rosebud." He arrives at a fortress (or what appears to be a prison) that turns out to be an imposing archive. Granting permission to the journalist to peruse Thatcher's diary, The librarian tells him he can only read pages 83-142 and that he must leave the library premise by 4:40 sharp. I watched Citizen Kane for the first time with a librarian and she was quick to point out how librarians are erroneously depicted in popular culture as stern "guardians of the stacks." The mantra, it seems, is "the book shan't leave my sight!" I chuckle because the Kane library scene is sometimes true. I knew a librarian who went to the grocery store one afternoon and saw a patron in line and instead of telling her hello demanded to know why she had not turned in her overdue library book. True story. Anyway, I still consider this scene the quintessential library scene in film history even though it stereotypes librarians as "sole proprietors" of knowledge, I still love it. I think I was mesmerized by Greg Toland's brilliant cinematography: the way the light shines from above, illuminating the manuscript on the spare table, the way the camera makes you feel trapped inside the library walls, chained to nothing but a book. Then the camera focuses on a page in Thatcher's diary, I first encountered Mr. Kane in 1871." The book morphs into a flashback scene of little Charlie Kane playing in the snow with his sled. It's a stark effective scene as well as a metaphor for the increasing mystery of newspaper tycoon Charles Foster Kane's mysterious life.


Star Wars Episode II: Attack of the Clones
The Library Know-it-All
Obi-Wan Kenobi scours the library databases in the Jedi library but to no avail.

Obi-Wan is surprised that not even the library has it!  
Obi-Wan Kenobi goes to the library to look for a planet in the star database in the Jedi Archives.  Obi-Wan has the right information but cannot find the planet. The librarian insists the planet does not exist because it does not appear in the star charts where it is supposed to be located. If it is not in the database, then it does not exist, the librarian remarks. Coincidentally, I was with the same librarian I saw Citizen Kane with when I saw this movie and she pointed this out to me with the same chagrin on her face as she did when she pointed out the Kane librarian trope. The Star Wars librarian is another variation of the Kane librarian: not only does the knowledge not appear in the record, if the knowledge is not in the record then it does not exist. So, does that mean if I do not have a birth certificate I do not exist? I become a tad bit nervous when librarians began messing with my existential priorities. The flip slide is the student researching a term paper: "I cannot find anything on my topic." It doesn't exist? Even Obi-Wan knows that; in case you were wondering, it was the Sith who smudged the planet from the star charts to hide their nefarious plans to create a clone army. So it just goes to show you, if it is not in the database, and it is supposed to be there, someone bad took it out, like a Sith Lord.    

Ghostbusters
The Library Catalog Haunted by a Ghost

I ain't afraid of no ghosts
The Ghostbusters stumble upon a ghostly specter in the stacks.
 If you thought an archive powered by the Force was cool, what about a card catalog haunted by a slimy ghoul? Ghostbusters has a fun opening sequence that features none other than the famous New York Public Library (although the interior shots were filmed in a library in California). I like the part when the green slime emits from the card catalog. Priceless shot!

EXTRA! EXTRA! See my post on the library scene in Indiana Jones and the Last Crusade

18.3.10

Poem: Secret/Poet

As an adolescent,
I learned the art of poet/secret;
I would climb into the bedroom closet on all fours, enough space between the smelly, discarded shoes laces to
stretch out my body; I would somehow find comfort, if that is what you’d call it, more like respite, a kind of shelter

              to be with my secrets,
              stowed away porno’
O              masturbation never was so great as
              the closeted days,
shielded from reality,
              the ceiling gathered immense freedom
              around its enclosed haunches and
              I had secrets to bare, to the wooden
              old filing cabinet stuck, where I stowed
              my poetry, my scribbles — under
              hanging sports coats and sweaters,
              secrets being such a burden —
              they had to go somewhere,
              born from my self-imposed compulsion to translate suffering into poetry —

Poetry is couched in metaphor but never becomes what it was,
like a closet,
it still remains closed,
like a secret it is never meant to be shared.

              To put into words something about
              myself that I am unable to transcend
              is a secret/poetry like a poet makes,
              for isn’t that what the poet does?
              reveal secrets,
              lay bare the state of affairs?
the poet in me, crashes into state of affairs, crashes into a secret,
to lay bare.

© 2010 Greig Roselli