Unveiling Mythology to Teens: Insights from the Humanities Classroom

In this post, I talk about simple ways teachers in a middle or high school humanities classroom can explore the vast richness of a diverse set of myths.

Storm-Tossed and Star Crossed: Paris and Helen's Epic Journey to Troy

In this captivating illustration, Paris and Helen, the ill-fated lovers, braved a tempestuous sea to reach the legendary city of Troy. The turbulent waves and dark skies mirror the tumultuous fate that awaited them. Meanwhile, Cassandra, the prophetess cursed with foresight, stands witness to their arrival, her eyes carrying the weight of the tragedies to come. This vivid scene captures the essence of their epic tale, where love and destiny collide amidst the fury of nature.

Along with the stories from the Trojan War, embrace a rich trove of mythology resources that comprise a range of digital resources, ideal for middle and high school students. I understand the breadth of mythology can be overwhelming, with countless tales and myriad versions.

The Rage of Achilles - A Review of the First Book of Homer's Iliad

"Rage, goddess, sing of the rage of Achilles" (1.1)

Homer, Book One of The Iliad

A Review of Book One of Homer's Iliad

In Medias Res

The story of Achilles begins in medias res, nine years into a battle between the Trojans and the Greeks. The poet does not give historical background for the war or its duration, assuming readers already know the context. For more on the Trojan War's origins, students often consult Edith Hamilton's classic Mythology or read about the Judgment of Paris. There is even archaeological evidence that Troy may have existed in the Bronze Age.

A horse and his boy

The poet is silent about much of the background, focusing instead on mortals and immortals. The Iliad could well be called The Rage of Achilles, as anger and loss thread through the poem. The muses, invoked for inspiration, act as furies in the poem's opening: "Rage, goddess."

The god quaked with rage (1.54)
The epic traces the genealogy of Achilles’s resentment, beginning with Apollo’s anger at Agamemnon for refusing to return his slave girl, Chryseis. Apollo’s wrath brings a plague to the Greek camp. The soldiers want to return home, but Agamemnon refuses to give in, even at the cost of his men’s lives—echoing the selfishness of a corporate boss clinging to privilege.

A Dispute Among Children
Book One centers on a childish dispute between Agamemnon and Achilles. When Achilles protests Agamemnon’s selfishness, Agamemnon retaliates by seizing Achilles’s slave girl, Briseis. Achilles withdraws from battle, vowing not to fight, comforted by Patroclus and Athena.

The Boy with Fiery Hair (1.232)
Achilles is depicted as a youth with fiery red hair—a symbol of his rage. Feeling entitled and above others, he sees himself as nearly divine. When insulted, he appeals to his mother, the sea nymph Thetis, who promises to ask Zeus to avenge him.

Thetis, the Old Man of the Sea’s Daughter
In a poignant scene, Achilles walks the shore, praying to Thetis for vengeance and honor. His tragic flaw is not recognizing his own mortality.

Uncontrollable Laughter Broke from the Gods (1.721)
The book ends with the gods laughing at the mortals. Is it schadenfreude? Do the gods laugh at Achilles, at mortals, or at our delusions?

N.B. The edition I use is the Robert Fagles translation published by Penguin Classics (Deluxe Edition).
PDF copy for printing