Notes on a Tuesday Evening After Instructing the Pupils

A Word Wall

At the end of the school day, most kids shuffle to their locker, collect wallets, purses, slung-over-the-shoulder book bags, and whatever else they've deigned to take home with them on a weekday afternoon. At the end of the school day, teachers make last-minute conversations, shuffle to the copier and churn out dittos (that's what we used to call those things), input grades, drink a cup of coffee and then head out the double door into oh-so-beautiful reality.

Or. Sometimes teachers bolt. Taking a breath, needing space between teacher and student, teacher and teacher, it is sometimes necessary to do the after bell plunge.

Today I bolted with a fellow teacher compatriot. We took solace on the local train back to our prospective boroughs (and burrows). I was dressed very dapper today. Normally I am presenting a six (or seven) o'clock shadow, my tie a bit untied, and the color scheme on my body jarring - to say the least. Did I tell you that yesterday I wore a shockingly yellow paisley tie on top of a red checkered shirt - complete with a professorial coat that seemed to have forgotten its trip to the laundromat? I am not sure if I should blame my slovenly father or my very exquisitely dressed mother, but I have chosen to not really take seriously the concept of "professionally dressed."

Anyway. I digress. I have thirty research papers to grade - ranging from topics such as Yankee Doodle Dandy and Bowling (the students chose their topics - those lusty scholars of learning!) - and instead of doing just that, grading, I am finding solace on my blog. And I have my wardrobe laid out for tomorrow - at least I'll look dapper again tomorrow. 

Here's a shout out to all those educators out there: you do you. And do clothes make the man?

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Stones of Erasmus's 2017 Alternative Academy Awards

Hey, since everyone is talking about alternative this-and-thats - I put together my own alternative Academy Awards:

Film of the Year
- Moonlight (2016)

Kevin and Black reconnect after a long estrangement 

Source: A24

Photograph: Broken Pedestrian Crosswalk Signal (Near Chelsea Piers)

The author stumbles upon a broken upside-down traffic signal near Chelsea Piers in this post.

Broken pedestrian crosswalk signal near Chelsea Piers @nyc_dot.

Upside-down Traffic Signal Near Chelsea Piers — Image Credit: Greig Roselli

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Wisdom from the Animated Feature Film "The Sword in the Stone"

The animated GIF is my favorite type of digital file. It's been around forever, right? It's been around longer than Vine has been a platform for short video clips - that's for sure.* And, what is a Vine but a glorified GIF?

So, here is a favorite of mine - some words of epistemological wisdom on the difference between knowledge and understanding — from the young King Arthur in Disney's animated adaptation of T. H. White's children's literary classic The Sword in the Stone:

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source: Disney

*The GIF (Graphic Interchange Format) was created by a Compuserve engineer in 1987.

Theater of the Absurd Charlie Rose Style

Charlie Rose supercut

In 2013 I saw this video at an exhibition on supercuts at the Museum of the Moving Image in Queens — adjacent to the old style Astoria film studios where Law and Order and Sesame Street have been brought to life.
Anyway. A supercut is a kind of new media -- someone gets an idea like "What if I cut out everything in news media clippings of Donald Trump speaking except for when he utters "China"? You get the idea. Or a supercut of just blah blah blahs from across cinematic history. I posted that one on this blog. I must be obsessed with supercuts. I have wanted to create my own but never had the tenacity nor have I yet lighted upon a good idea.

This supercut from the Charlie Rose show was imagined as "if written by Samuel Beckett." By just paring down an episode on technology to a few buzzwords and phrases the creator has managed to create a nonsensical interview with Charlie Rose and himself. Here it is.

True story: I now utter "Google" nonsensically in public places. Thank you very much.

"Charlie Rose" by Samuel Beckett from Andrew Filippone Jr. on Vimeo.

Media Credit: Andrew Filippone, Jr.

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Ira Sach's "Little Men" Improvisation Scene

Michael Barbieri in Ira Sach's Little Men  

Ira Sach's Little Men (2016) is about how children are more mature in their emotional expression than the adults -- as well as better listeners.

The film tells a story about two friends who must suffer the consequences of a business dispute between their parents. While the adults bicker and put up their defenses, the two boys roam the streets of Brooklyn, an image of the borough that is a stitched together pastiche of different neighborhoods. While it seems the kids live in the Greenpoint or Williamsburg neighborhood, the setting shifts between Sunset Park and Bay Ridge. We see the Verrazano Bridge in one sequence, and in another, a view of Lower Manhattan from Sunset Park. I am not sure whether Sachs was attempting to make a statement about the ever-shifting landscape of New York City, or simply painting a colorful, albeit nostalgic, portrait of several neighborhoods mashed into one.

But, I want to talk about my favorite scene in the movie. A quarter of the way through, it features a creative, energy-infused scene with one of the young protagonists Tony, played by Michael Barbieri. 

The scene is great on many levels -- and it's hilarious to watch, especially as it pops out at you when watching the movie in the cinema. On the website Vulture, Kyle Buchanan made a thoughtful interpretation of the scene, as it relates to the larger story arc of the film. He mentions how Ira Sach's "explosive, funny sequence" nicely ties together the theme of silence and listening. While the adults fail in resolving conflicts, the two boys respond by making their friendship stronger. The two stage a protest by not talking to their parents. 

Having done improvisations with young people, and having done improvisations myself as a young person, the scene reminded me of how truly transformative acting can be. Or, how acting out in an improvised way -- structured play -- brings out raw, creative energy. And that's what we see in Tony as he naturally mimics and expands on his Theater teacher's (Mauricio Bustamante) verbal phrasing and intonation of voice.

Here's the clip!

Media Credit: Magnolia Pictures

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Inequality in America: W.E.B. Du Bois's The Souls of Black Folk and HBO's The Night Of

A black stranger … for instance, is liable to be stopped anywhere on the public highway and made to state his business to the satisfaction of any white interrogator. If he fails to give a suitable answer, or seems too independent or “sassy,” he may be arrested or summarily driven away. 

W.E.B. Du Bois, The Souls of Black Folk, p. 113

Du Bois wrote The Souls of Black Folk in 1903. I like to use this book as a point of reference because every time injustice is carried out, deniers will often remonstrate thusly: "But, that was then, this is now."

No. History tends to repeat itself. And not only that, old wounds heal slowly when subsumed under the relentless wheelhouse of time.

The tyranny of the interrogator persists. It hides behind "gun rights" lobbyists and political candidates using fear of the other to keep constituents voting for them on election day.

Americans live in a country where last year 1,134 people were killed by armed police officers. Henry Louis Gates, Jr., an African-American History scholar at Harvard, was arrested in front of his own home. American children do not have equal access to education. The United States, one of the world's most developed nations, fares poorly in its citizens' share of the wealth. Kazakhstan, Ukraine, Slovenia, and Ethiopia have better equality in the distribution of income across families than the United States. I am not just throwing out facts. I am suggesting that inequality spikes through multiple layers of society.

In The Night Of, Nasir Khan is accused of murdering a white woman.

I can't help but think about popular culture. In the HBO miniseries The Night Of, Nasir Kahn, a Pakistani American from Queens, is brought in as number one suspect in the murder of a young white girl on the Upper West Side. The season finale has not aired yet, so viewers don't know the identity of the killer. As a crime drama procedural puffed up as a cable television series, we're not sure if Naz is a killer or not -- but one thing the show makes clear is that once interrogated Naz is drawn into the bone-crushing bureaucracy of the criminal justice system, the perception of a mindless crowd, and the truth that even if Naz is innocent, once spooled through the system, Naz is transformed -- and it is not exactly a pretty transformation.

I digress a little bit. My main point is that the United States, with all of its proclamations of freedom, democracy, and justice for all, has difficulty in being honest about who exactly enjoys this so-called freedom, democracy, and justice.

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Image Source: HBO