Showing posts with label english language arts. Show all posts
Showing posts with label english language arts. Show all posts

12.9.25

Crazy English — Why English is so Hard to Learn

Why English Is So Hard to Learn

The following excerpt (often attributed to Richard Lederer’s Crazy English [1989]) highlights the delightful absurdities of the English language.

A Few Reasons Why English Confuses Learners

  1. The bandage was wound around the wound.

  2. The farm was used to produce produce.

  3. The dump was so full that it had to refuse more refuse.

  4. They were too close to the door to close it.

  5. He could lead if he would get the lead out.

  6. The soldier decided to desert his dessert in the desert.

  7. Since there is no time like the present, he thought it was time to present the present.

  8. A bass was painted on the head of the bass drum.

  9. When shot at, the dove dove into the bushes.

  10. I did not object to the object.

  11. The insurance was invalid for the invalid.

  12. There was a row among the oarsmen about how to row.

  13. Don’t forget, we must polish the Polish furniture.

  14. The buck does funny things when there are does present.

  15. A seamstress and a sewer fell down the sewer line.

  16. To help with planting, the farmer taught his sow to sow.

  17. The wind was too strong to wind the sail.

  18. After a number of injections, my jaw got number.

  19. Upon seeing a tear in the painting, I shed a tear.

  20. I had to subject the subject to a series of tests.

  21. How can I intimate this to my most intimate friends?

  22. We park on a driveway and drive on a parkway.

The Paradoxes of English

  • There is no egg in eggplant and no ham in hamburger; neither apple nor pine in pineapple.

  • English muffins weren’t invented in England, nor were French fries in France.

  • Quicksand can work slowly, boxing rings are square, and a guinea pig is neither from Guinea nor a pig.

  • Writers write, but fingers don’t fing, grocers don’t groce, and hammers don’t ham.

Plural forms also play tricks: one goose, two geese—but one moose, two moose. One index, two indices.

You can make amends, but never just one amend.

The Madness Continues

In what other language do people:

  • Recite at a play and play at a recital?

  • Ship goods by truck and send cargo by ship?

  • Have noses that run and feet that smell?

How can a slim chance and a fat chance mean the same thing, while a wise man and a wise guy are opposites?

English is full of contradictions: your house can burn up while it burns down; you fill in a form by filling it out; and an alarm goes off by going on.

PDF Copy for Printing

17.8.25

Plato’s Allegory of the Cave Lesson | IB MYP & ELA Resource

Educational non-profits like the International Baccalaureate and others do a good job of standardizing practices that teachers have been using for decades — perhaps even generations. I made a lesson resource on teaching Plato's Allegory of the Cave. And it has served me well as an educator. However, I wondered if it would hold up to IB standards for the Middle Years Program and beyond. Let's see.

— Greig from Stones of Erasmus



I wondered aloud: Does "The Cave" lesson align with MYP by linking communication, perspective, and inquiry on truth? It does. Let’s break it down using International Baccalaureate language.

Image Credit: Stefano Pollio

IB Middle Years Program (Language & Literature)

Let’s think about how the Cave lesson ties to the IB’s scope: The IB MYP spans ~Grades 6–10 (Years 1–5). While I think it does a good job aligning standards to this grade band, it also works really well with Grades 11–12; Check out the end of this post — I include an optional IB Diploma Program bridge at the end.

Unit framing (ready to paste into the International Baccalaureate proprietary learning management system ManageBac/Atlas)

  • Subject group: Language & Literature (since IB schools use scores of other resources, please know that this lesson on the Cave can co-badge with Individuals & Societies)

  • Key concept: Communication (how representations convey/shape meaning)

  • Related concepts: Perspective, Representation, Intertextuality

  • Global context: Personal & cultural expression (how ideas of truth/reality are expressed)

  • Statement of inquiry: Representations of reality shape what we accept as truth.

  • Inquiry questions

    • Factual: What is an allegory? What happens in Plato’s cave?

    • Conceptual: How do perspectives and media filter our perception of reality?

    • Debatable: Are images and stories reliable ways to know what is “real”?

Approaches to Learning Skills (explicit teach/track)

  • Thinking: critical & creative (evaluate claims; generate analogies), transfer (text-to-world/media).

  • Research/Media literacy: source purpose, bias, provenance (incl. film clips, diagrams).

  • Communication: organizing ideas for oral seminar; crafting clear analytical paragraphs.

  • Self-management: goal setting for seminar roles; exit tickets for metacognition.

Learning experiences (adapting the Stones of Erasmus flow to the IB MYP)

  1. Hook/Do-Now (5–7 min). Quick write to Essential Q (How do I know what’s real?)—keep. Tie to SOI/inquiry questions.

  2. Close reading (15–20). Read the plain-language text of The Cave; annotate symbols and shifts (chains/shadows/fire/sun/return). Pair-share a gist paragraph. Note — all of these resources are turn-key and ready to go in the Stones of Erasmus learning resource.

  3. Guided discussion (15). Use Qs 1–3; introduce Two Worlds chart with a Socratic “hot seat”: defend/critique Plato’s hierarchy (knowledge vs. opinion/images).

  4. Intertextual link (10). Matrix/Truman Show clips; students record claim-evidence-reasoning on an organizer (media as “cave”).

  5. Exit ticket (3–5). One way the allegory appears in their world (social media, VR, advertising).


Summative Assessment Ideas (MYP Years 2–5)

Task A — Literary analysis paragraph/mini-essay

Prompt: Explain how one symbol in the allegory develops Plato’s claim about reality and knowledge. Use precise textual evidence.

  • Assesses: Criterion A (Analysing) & D (Using language)

  • Success criteria (adapted from levels 5–8):

    • Adept selection of evidence; clear explanation of how form (allegory/symbol) creates meaning; coherent argument; accurate, sophisticated language.

Task B — Socratic seminar with media comparison

Prompt: To what extent is the “cave” a useful metaphor for today’s media environments? Bring one outside example.

  • Assesses: Criterion A (Analysing) & C (Producing text—spoken)

  • Products: Pre-seminar position card (organized notes), 10–15 min seminar, reflective paragraph on shifts in your view.

  • Criteria emphasis: Organization for purpose/audience; development and synthesis of ideas; clear oral expression and active listening.

Task C — Creative representation + rationale

Prompt: Redesign the cave metaphor for a modern context (comic strip, infographic, micro-fiction, short video) and write a 300–500 word rationale justifying your choices using allegory terminology.

  • Assesses: Criterion C (Producing text) & D (Using language)

  • Criteria emphasis: Purposeful structure, stylistic choices, vocabulary control, explanation of creative decisions using subject language.

Optional extension (Year 5): Comparative analysis of Plato and a contemporary thinker on reality/representation (e.g., Baudrillard excerpt), meeting A & D at higher sophistication.


MYP Criterion for The Allegory of the Cave in Plain Language

Stones of Erasmus resource element

MYP objective(s) it best serves

Notes / quick tweaks

Plain-language reading & gist

A (identify explicit/implicit ideas); D (accurate vocabulary)

Keep gist but add a one-pager of tiered vocabulary with sentence frames.

Comprehension Qs 1–15

A

Convert some to text-dependent “how/why” prompts to push analysis (Aiii).

Discussion Qs 1–6

A, C, D

Add discussion norms & roles for equitable talk.

Two Worlds chart

A

Add a mini-task: students critique or revise the hierarchy (does art only belong “below the line”?).

Suggested lesson plan

All (formative sequence)

Insert explicit ATL callouts and success criteria per activity.

Sample student visuals/notes

C, D

Keep creative outputs; add a required rationale paragraph (Cii/iii).


Quick MYP-ready Rubrics Ready-to-Use

  • Criterion A (Analysing)

    • 7–8: Perceptive analysis of content/technique/context; well-chosen evidence; insightful conclusions.

    • 5–6: Effective analysis with relevant evidence; clear conclusions.

    • 3–4: Some analysis; uneven evidence.

    • 1–2: Limited comprehension/description.

  • Criterion B (Organizing) (use for essay tasks where structure is assessed)

    • 7–8: Purposeful organization; cohesive paragraphs; effective referencing.

    • ... (scale down similarly)

  • Criterion C (Producing text)

    • 7–8: Sophisticated choices for purpose/audience; coherent development; engaging style.

    • ...

  • Criterion D (Using language)

    • 7–8: Precise, varied vocabulary; accurate grammar; subject-specific terms used effectively.

    • ...


Differentiation & inclusion (MYP-aligned)

  • Scaffolds: dual-coding (images + text), guided annotations, sentence starters for claims/rebuttals, glossary for allegory, epistemology, empirical, abstract.

  • Extensions: add a primary-source excerpt from Republic Book VII for close reading; student-led colloquy on whether art belongs “below the line.”

  • Wellbeing: pre-teach the “killing the freed man” as allegorical; offer opt-out from that specific detail if needed.


Strengths & Suggestions and Growth Areas

Strengths

  • Clear essential question and high-interest, accessible retelling—excellent for mixed-readiness classes.

  • Ready-to-use discussion/comprehension sets + answer keys; strong entry into philosophical thinking for ELA.

  • Authentic classroom provenance with student artifacts and teacher reflections (credibility + practicality).


Optional bridge to Grades 11–12 (IB DP)

  • TOK: Knowledge question—To what extent are sense perceptions reliable ways of knowing? Link Areas of Knowledge: The Arts vs Human Sciences using the cave as metaphor

  • Language A: Literature: Paper-2 style comparative prompt on representation vs. reality across texts/films.

PDF Copy for Printing

16.5.25

Launch of Stones of Erasmus Store: Free Greek Myth Genealogy Charts & $3 Tyche/Nemesis Lesson Plan – 300th Digital Download

🎉 New Storefront + 300th Digital Download!

Since 2015 I’ve been running Stones of Erasmus, a home for education, art, literature, and creative sparks. Today I’m thrilled to unveil my brand-new storefront and celebrate my 300th digital resource with two featured downloads.

Free Greek-Mythology Genealogy Charts (15 pages)


Tyche and Nemesis Lesson Activity ($3)
What's Inside?
  • Tyche & Nemesis Lesson Plan – explores Fortune, fate, and moral balance; Common Core, VA SOL, and TEKS aligned; includes question banks, writing tasks, and flexible pacing (only $3).
  • Greek-Mythology Genealogy Charts – 15 beautifully designed family trees clarifying divine and heroic lineages. Ideal for anchor charts, posters, or LMS uploads – free for life.

Why Download?

These resources save prep time, deepen myth comprehension, and look great on classroom walls or digital slides. Add them to your toolkit now—future you (and your students) will thank you!

Visit Stones of Erasmus for TpT, Made By Teachers, and The Stones of Erasmus Storefront

PDF Copy for Printing 

30.4.25

Spin the Wheel of Fortune: A 2-Day Tyche & Nemesis Mythology Lesson for Grades 6-10 (Print + Google Ready)

Engage grades 6-10 with a two-day ELA myth lesson on Tyche & Nemesis—printable, Google-friendly, CCSS-aligned, and packed with visuals.

Cover Image for a 2-Day Lesson Tyche and Nemesis

Why Teach Tyche & Nemesis Now?

In every literature class, recurring themes—tropes—spark student curiosity. Few are richer than the paired figures of Tyche (Fortuna), goddess of fortune and chance, and Nemesis, guardian of justice and conscience. Their stories echo from Wheel of Fortune to modern fantasy novels, giving your middle and high schoolers an instant real-world hook.

Lesson Snapshot

  • Grade Bands 6–10 (easily adapted up or down)
  • Duration Two 50-minute class periods, plus extensions
  • Formats PDF for print • Google Workspace™ for digital 
  • Standards Fully aligned to CCSS RL/L/W/SL, TEKS, and Virginia SOL

What’s Inside the Resource?

  • 🔖 6 Illustrated Reading Cards—public-domain art, succinct text, perfect for carousel or gallery walks
  • 🗺 2 Map Activities—locate temples at Praeneste & Pompeii to ground myth in place
  • 🗂 Anchor Chart + Vocabulary Frayer Models—visual tools for quick reference and retention
  • ✍️ 20-Question Bank & Exit Tickets—ready-to-use for quizzes or bell-ringers
  • 📝 Note-Taking Sheets—three-box Cornell format fosters evidence collection
  • Answer Keys & 2-Point Writing Rubric—transparent grading and sample responses

How Students Benefit

  1. Compare Versions: Analyze Tyche and Nemesis across Hamilton, Apollodorus, and pop culture.
  2. Build Vocabulary: Master terms like nemesis, fortune, and fate in context.
  3. Think Critically: Debate whether chance or conscience drives human action.
  4. Collaborate: Engage in “speed-dating” discussions and trivia showdowns.
  5. Write Analytically: Respond to prompts with textual evidence—CCSS W.9-10.9 ready!

Teacher-Friendly Features

  • Print or Digital: Seamless in-person, hybrid, or remote.
  • No Prep Needed: Download, assign, teach.
  • Extendable: Connect to my other mythology sets—Furies, Fates, Titans, Iliad.
  • Assessment Ready: Exit tickets + rubric give you instant data.

Classroom Idea: Spin Your Own Wheel

Create a cardboard “Wheel of Fortune” with pockets labeled Reward or Rebuke. After reading, students spin and justify—using evidence—whether Tyche’s gift or Nemesis’s judgment fits a mythic scenario. Instant engagement!

Grab the Lesson

➡️ Download on Stones of Erasmus

Let’s Keep the Conversation Rolling

Have a classroom story or a question? Drop a comment below or email me at support@stonesoferasmus.com. I love hearing how teachers spin mythology into gold!