1.1.14

Greig's Best Books Read in 2013

Taking my cue from Stephen King in the “Best of” issue of Entertainment Weekly and my High School librarian Margot Polley who every year lists her favorite books, I do the same for my favorite books read in 2013. Note I do not list books necessarily published in 2013, but books I read. This year I read a little bit of everything, so instead of listing books by categories, I decided to just list six memorable books that I thought were awesome. My criteria for selection was whether or not the book was fun to read. If you want to make your own list, go ahead. So here goes …
1. Big Brother by Lionel Shriver
The best novel I read this year. Shriver delivers in her latest diatribe-cum-novel on the healthy eating craze. Pandora Halfdanarson's brother Edison comes to live with her and he's 336 pounds -- a shock to the sister and her nuclear family. The novel glitters with cute tidbits like jabs on healthy eating -- none of the meals Pandora's health crazed husband cooks up are appealing. I love Shriver's nice touches like Pandora's line of talking dolls she sells online that say mean things for people you love. It's standard Shriver replete with an impressive vocabulary and insight into sibling relationships. 

2. Truffaut/Hitchcock by François Truffaut (an interview with Alfred Hitchcock)
The best cinema book I read. Two venerable directors talk about cinema in this classic interview conducted by the French New Wave director Truffaut and stringent auteur Hitchcock. Less on biography and more on form and execution, this book is a fascinating read for cinephiles. I personally love both Truffaut and Hitchcock and I came away with the conclusion that Truffaut makes moves born from his exacting emotional intuition and Hitchcock is the total opposite. Truffaut quizzes Hitchcock on each and every film he ever made and the result is a trip through film history and a rare chance to experience two great movie masters talk shop.  

The grossest book I ever read. I will never think about digestion the same ever again. I hear Mary Roach is famous for writing about taboo subjects like cadavers and stuff, and so I wanted to read her. Do you know why a dog throws up his food? He enjoyed the meal. Did you know that food, as it goes from your mouth to your stomach, is called a bolus? The book is chock full of AMAZING facts about eating and everything that goes with, from the mouth to the rectum. Mary Roach is funny and informative and she has the most clever footnotes ever contrived by an author. The book is not a list of facts about the digestive system. It's more of a series of encounters with scientists who are trying to innovate on everything from saliva to taste buds. 

The best philosophy book I read this year was written by a journalist. Holt asks everyone who will listen the question, "Why is there something rather than nothing?" This simple question is actually a doozy. Why does the universe exist at all? The universe could just as easily never have existed. I remember in College my Metaphysics professor spent weeks discussing it and I got a dose of it in reading Heidegger. This book does not require philosophical expertise and I think it is a good way to get into philosophy. 

5. The End of Alice by A.M. Homes
Every year I gobble up books written by the same author and this year the winner was A.M. Homes. The End of Alice is about Chappy, a murderer pedophile in Sing Sing who has an epistolary romance with an unnamed teenage girl who is obsessed with a young boy (who likes to collect his scabs and eat 'em). The novel reminds me of Joyce Carol Oates's fictional Dahmeresque novel Zombie. Homes wrote a postscript to the novel called Appendix A: An Elaboration on the Novel The End of Alice that I have yet to read.

6. The Last Pictures by Trevor Paglen
There is a certain class of artificial satellites flung into Earth's orbit that is far enough away to stay within Earth's gravitational field but will never either fall back to earth or drift off into interstellar space. They are, say, stuck. Paglen conceived and implemented a way to preserve human memory indefinitely, even after we are all gone. Attaching a small silicon disk etched with curated black and white photographs, Paglen aims to eternally archive humanity's sojourn on the blue planet. The idea is inspired by NASA's "Golden Record" project for the Voyager spacecraft, but less humanistic. The idea is that even after humans are extinct there will still be these "last pictures," a small testament to our shenanigans. Most of the photographs, like a bunch of wasps affixed with what looks like a jet pack, are only meaningful once you read the liner notes, but I like how Paglen tries to capture us in our foibles and shortcomings.

13.12.13

On Looking Back at My First Blog Post

Portrait of an Articulated Skeleton on a Bentwood Chair
Yes, this is confessional.
Forgetting that what I post on a blog is read by people, today someone (a student, no less) found my blog online and read my first post. It is an obscurely written poem about Prague and Dvořák. I do like the first line of the poem, "Dvořák strums his fingers on the dashboard, a melodic lilt to the tune of lips," but the rest of the poem is arduous.

20.11.13

Paper in Tree With Unseen Star on the Horizon

I saw a star in the sky at dusk in Brooklyn. The photograph does not do the image justice. Sometimes, what I see with my own eyes is sufficient. Art has failed me.

11.11.13

The 2013 Veteran's Day Parade in New York City

Kids dressed up as soldiers prepare to march in the New York City Veteran's Day Parade on Fifth Avenue.

30.10.13

How To Toast Bread


Bryce Chartwell shows the people how to toast bread.

A friend sent me this video. His media studies professor used it as an example of narcissism. If I had to make toast for Bryce Chartwell I would be afraid to mess up the toast! What if I don't do it the right way? This video makes me want to eat toast in the opposite way: over a rough fire, scarf it down, and get my shirt dirty. If it is satire, this video is hilarious. I think it's satire and a good example of consumerism. We don't just want toast. We want the perfect toast. And we are satisfied with the illusion that spreading the butter in an East to West direction and making sure the butter is only one micron thick will achieve satisfaction beyond the basic needs of food and shelter into the meta-realm of desire where toast takes on an entirely different meaning. It ain't toast anymore. It reminds me of people who order specially bottled water at restaurants to feel like the water, in all of its neat packaging is more than just water, it is beyond water. Of course, the structure of desire is such that we are never satisfied. We want more. And more. Capitalism takes advantage of our desire and runs with it. Long live the toast. The toast is dead.

10.10.13

On Drinking Prosecco And Watching Malcolm (And What Came Of It)

I drank a bottle of Prosecco in the late afternoon. The light had just begun to disintegrate. On my computer lay a MPEG of Malcolm X, a movie I had intended to watch. To my chagrin, I had never watched it and vowed to see it through during a time of inactivity. It is my goal to immerse myself in the cinema. It's been a recent habit of mine to sit in a cinema as often as I can gather the strength to take the D train to Midtown. Sunset Park is lackluster in cinema options. Bay Ridge only plays the shallow greats. Cobble Hill has a decent cinema but I don't take the F train. It's easier to ride into Manhattan, with its jaundiced eyes, and beleaguered denizens. Humanity looks browbeaten on the subway. I sort of feel shameful taking the D train to see a movie during rush hour. Shouldn't I feel just as browbeaten, just as defeated after a long day of work? That's a silly rhetorical question. Maybe these people, these sour brow beaten folks have more money in their pockets than me. They have mouths to feed. Rent to pay. I've paid my rent. I am going to see a movie. I wish they could come with me and rejoice in the pleasures of the visual screen. "It's a screed," I preach. I say. To them. To the woman with the holes in her hosiery, to the overtly masculine boy who keeps picking at his knickers. To the guy, a prince, so fairly laden, he only knows how to ask for something, never
to empathize. It's a guilty pleasure. I don't know why I feel so guilty. Today. I counted them. I saw eighty-six movies at the same cinema. That's not counting the other movies at other cinemas. I feel like Susan Sontag. Or something. Malcolm X. They soaked in information; then they launched onto the world. I feel like I am still a chrysalis in its shell, damned, but I do not know why.