Showing posts with label stimulus. Show all posts
Showing posts with label stimulus. Show all posts

1.12.23

Analysis: Freud, Derrida and the Magic Slate

Do you remember playing with a magic slate as a child? Learn how Sigmund Freud uses this device to talk about the unconscious mind.
Photograph of “Iki-piirto” writing pad, a Finnish variety of Printator, known in German language as “Wunderblock”, as described by Sigmund Freud in his essay “A Note upon the ‘Mystic Writing-Pad’” from 1925. This writing aid has allegedly been used in Finnish schools circa 1950s when teaching mathematics, as there is a multiplication table on the backside (not pictured).
A Finnish Version of Freud's Wunderblock.
Do you remember this toy from your childhood? It’s charmingly called a “Magic Slate” or an “Etch-a-Sketch”. In German, the Wunderblock. I had a version of this toy as a kid. The novelty of the apparatus consists in the ability of the pad to retain impressions, such as drawings, and like a normal slate, the impressions can be erased, not by an eraser but by simply lifting the page. Presto. Freud and Derrida loved this thing. Freud liked it because the Magic Slate is a model for the human mind. Psychoanalysis! Derrida liked it because Freud's reading of it seems to suggest the unconscious is inhabited by writing and is prior to speech acts. Deconstruction!
Deconstruction!
The stylus is used to write, scribble, or draw on the transparent plastic sheaf which creates an impression on the middle thin layer. The magic slate I had as a kid was a simple plastic, red stylus. The slate itself was a flimsy plastic backing with the “magic sheaf” part lightly affixed to the backing.

When the sheaf is lifted, the thin papery layer which exists beneath it is erased of its impression. At the bottom, a resinous wax layer exists which retains etched into the resin the residuals, or traces of all the previous impressions.

Freud on the “Magic Slate”
Freud wrote a short seven-page essay called "A Note Upon The Mystic Writing Pad." He wrote the essay to explain his theory of memory via the working apparatus of the Wunderblock. The outer coating represents the protective layer of the mind. The layer protects the mind from too much excitation. Notice if the thin paper layer is torn or contaminated the Wunderblock ceases to work in the same way that trauma can irreparably damage the psyche. The stylus represents a stimulus from the outside world. The papery layer is the conscious mind and the wax resin is representative of the unconscious.

The memory of the present can be erased, but like the mind, retains the impressions in the unconscious. The Wunderblock can both destroy and create.

Freud thought the Magic Slate was the closest machine-toy resembling the human mind. The only difference between the Wunderblock and the human mind is the mind's waxy resin layer can come back and disrupt the psychic life. Notably in dreams and trauma.

Derrida On Freud
Derrida, in an essay called "Freud and the Scene of Writing" was astounded that Freud, as a metaphysical thinker, could have inadvertently stumbled upon a machine that is a metaphor for the techné (production) of memory.

Derrida wonders how Freud could have imagined the Wunderblock to represent the psychic life while not realizing that the fundamental essence of the toy, like the mind, is its reserve of graphical traces, not phonetic signifiers.

19.2.10

Sparkling New Streetcar Line on Loyola Avenue in New Orleans


Photo: wallyg
According to Frank Donze, reporting for the Times-Picayune, The Obama Administration approved stimulus money earmarked to construct a new transit line in the city of New Orleans. The city was awarded $45 million to erect the new streetcar line that will run from the Union Passenger Terminal on Loyola Avenue and end on Canal Street, a 1.5 mile stretch. Other routes had been considered by the administration, including a corridor along N. Rampart Street and a line stretching along Convention Center Boulevard (which are still in the works), but in the end, the Regional Transit Authority won the Loyola bid. A stipulation of the money was to enhance existing transit systems in an American city and to provide a connection to existing transit systems, so the New Orleans project seemed to have won the favor of the grant givers, winning out over 30 other cities. The city desperately needs a creative boost to its public transportation system and I am very happy the Federal money was won. RTA has until May 2012 to finish the project. So, wake up New Orleans and get your laissez-faire attitude up a notch.